I don’t get it, man. why. why do we have to homogenize everything. why does every product have to look and behave and feel the exact same way. why can’t tumblr maintain its individuality? why can’t it lean into the things that make it a unique and refreshing offering instead of scrambling to make it a carbon copy of twitter? sucks, man. sucks.
it’s just like. this broadcasts loud and clear that the people behind the curtain have no pride or faith in this site at all. that tumblr, as a whole, has no worth or merit unless it’s somehow tricking the larger internet community into thinking it’s actually another site. and the users are supposed to celebrate this? where’s the dignity? where’s the self-respect? where’s the joy? it’s disheartening and embarrassing to be forced to conform. smh.
if you’re a morally dubious man on tv what you’re going to want to do is go look at your kids while they’re sleeping. then drive your car somewhere
I see Hollywood is now very into the idea of buying something once and then owning it forever and being able to make infinite copies. Which. Isn’t quite the message they imparted upon me in my childhood. In the spirit of their own long-held stance:
I’m curious as to where you all stand
SAG-AFTRA strike
I support it and will be boycotting all new movies/TV/streaming etc
I support it but will not be boycotting movies/TV/streaming etc
I don’t support it but will boycott movies/TV/streaming etc for other reasons
I don’t support it and won’t be boycotting anything
I don’t care about this
Reblog for demographics!
Has either union called for a boycott? Because boycotting can disrupt their plans and make negotiations harder unless they’re actively asking for one. I’m boycotting reality TV (which every studio is going to be pushing because it’s the only content they can make cheaply and without writers or professional actors) but nothing else unless we are asked to.
#i always understood that boycotts and strikes were sort of two opposing strategies#if a strike is happening you want demand to continue as normal because the point is to prove what would happen without your labor#a boycott is reducing demand and the point is usually in response to a practice that cant be solved by employees walking out#for instance a boycott might be ideal for protesting AI generated content (via @displacedlabrat)
This is correct. If anything, I want the execs to be terrified because the consumers are demanding more from them and they have nothing in their reserves to sell and no way of making anything else to sell.
Also “new” content is going to keep coming out for a while because it’s already been written and acted and edited. (I’d actually expect a lot of bad-but-finished movies that would normally never be released to get released once they start running out of the good stuff) There is less than no point to boycott anything right now.
1) Nobody in the unions has called for a boycott.
2) Boycotting takes away the residuals/initial payout due to the actors and writers right when they aren’t working.
3) Boycotting let’s the studios say “See? You aren’t valuable; nobody wants your labor” which is precisely the opposite of the message to be sent.
Another perk of libraries is that when I check out an audiobook and predictably fail to listen to it, it gets returned and I can rest easy knowing that checking it out at all has already benefited my local library. I can even do it again later and it will only bring further good things, for free, forever
VS buying an audiobook, failing to listen to it, and having to stare at it in my audible collection knowing I spent $10 on something I never used. And then imagine doing that again. Hellish. Get a library card and download the libby app
Some of you might remember a couple of years ago when Scarlett Johansson sued Disney because she was making significantly less money for Black Widow than was guaranteed in her contract because so many more people watched it on streaming than in theaters, how there was a massive misinformation campaign from Disney that a ton of people on this website (and Twitter and other social media) bought into: That she was a greedy bitch who didn’t respect people who needed to stay at home during the pandemic (I believe the word “ableist” was thrown around with aplomb) as opposed to someone who just wanted to be paid what she was owed. What was literally in her contract!!! And where everyone who took more than a couple minutes to actually look into and think about the situation could figure out that her issue wasn’t with streaming itself, but with how little streaming was allowed to get away with paying her and other actors. But of course, a lot of people just saw the chance to dunk on a rich woman, and didn’t think about it beyond readying some snarky tags and hit reblog. And in doing so, threw their support behind a much wealthier, greedier studio head who is already using similar language to describe the current strike.
Anyway we’re going to see a lot of that from studios now, especially now that actors have joined with the WGA and it’s easier to sell them as rich and greedy than writers, because of this cultural stereotype we have of all Hollywood actors as celebrities. Don’t fall for it. SAG-AFTRA represents people like Tom Cruise and ScarJo but it also represents the kind of people who played a Borg in two episodes of Star Trek: Voyager in 1997 or who had one line in The Marvelous Mrs. Maisel as an enthusiastic audience member. Most actors are not crazy wealthy, and in fact, if you’re a big TV fan (especially older TV and genre TV) that likely includes some actor names that you know, who played supporting roles in your fav shows, or who were even a star in something but haven’t done anything major since. The AFTRA side also represents people like radio broadcasters. But even beside that, all workers deserve to be fairly compensated for the work they do, and the threat of replacing them with AI, or real actors being required to sign contracts to allow their likenesses to be used by AI forever without paying them, is an existential threat to acting as a profession in general. The actors are in the right. The writers are in the right. The studios are in the wrong. The studios have exploited new technology to get away with horrifying labor practices for years and their feet need to be put to the fire. Circulate the articles about how poorly the Orange is the New Black cast was compensated for making one of the defining shows of the early streaming boom, and of the studios saying they want to force writers to starve and lose their homes. Don’t get distracted by propaganda aping progressive-sounding language about “wealthy celebrities.” Focus on the real enemy, the truly greedy fat cats who care more about money than people and art: the studios.
Leona’s post is here.
Her YT video is here.
Please spread Leona’s story, and her evidence, as much as you can. She has a mountain of evidence proving Bethesda/Zenimax a hostile work environment for trans women, and she deserves to be heard and to receive justice for being forced out of her job.




